Some friends ask me that all the time. They assume (naturally or not) that I must have messed with the original image in some way. Often they can see that I've done "something" because it's pretty darn obvious. Flip back through a few posts and you'll see several examples. But! Sometimes an image looks pretty straight and it's been worked to death. I get a kick out of those who say "I like to get it right in the camera". I like to get a well exposed digital negative. Today's digital negative is a digital positive, but what I'm getting at is that I like to get all the information I need on a properly exposed NEF file. (If I'm going for a straight image and not some HDR thing.) If you go to the "absolute" people who want the image to magically come out of the camera ready to go, do you know who you'd be eliminating? How about Ansel Adams? Bill Eppridge. Alfred Stieglitz. Any of the masters of film photography. Adams is quoted as saying "thee negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways. Read more at http://www.brainyquote.com/quotes/quotes/a/anseladams110426.html#8dAkmOgKBFwVpJoy.99 . I was at a talk by Bill Eppridge (look him up) and he explained that he spent the entire day in the darkroom one time making print after print until he got the image he saw in his head. He wasn't just clicking the enlarger's light on and off. He was "creating" his final image by burning and dodging small areas of the print. He mapped out what tone should be in what exact tones he knew were there. There's more to today's image than there is in many of my more obvious manipulations. To find out more about today's image, hit the "Read More".
The Art of the Group
1 week ago