Today's image (the large shot on the right) started with the small image on the left. I can think of a dozen things that needed to be done to get from one to the other. The first thing that is quite evident is "how" a camera's meter reads a scene. You can see the proper color in the finished image. The inside of the cab of the old steam train is painted black. The camera's sensor was pointed directly at a large black mass. It did a great job of trying to produce an 18% grey. Lately I've seen a lot of ink talking about "exposing to the right". Well, that's exactly what the camera's meter did in this case. It really had no choice. It has no intelligence, it's there to "record" what's in front of it, period. It did a fine job doing what it was asked to do. Is the original a "work of art"? No, it's a place to start, it's the negative from which we can start the image making process. The first thing that needed to be done was to straighten up the image. In the original you can see the handle cord hanging on a slight angle. It's unnatural, so we can use that to square up the image. To learn about a couple of the other things this image needed to fully develop, hit the "read more".Read more!
Small Flash, Big Flash
1 week ago