If you see a branch with its arm stretched out wide, with
beautiful fall colored leaves on it, do I have to tell you it's from a
tree? We don't have to see the tree to
know it's there. All that's needed is
the suggestion to help tell the story.
The same holds true for today's image.
You see the violin, the hand fingering the strings and a piece of the
bow. In your mind you know that the bow
isn't magically floating there, gliding across the strings by some celestial
force. There's a hand somewhere below
the edge of the image.
One of the most powerful, and least discussed tools in the
Adobe Photoshop CS6 (and any number below it) is the Crop Tool (C). It's a tool for cropping parts of an image,
not just "trimming" the excess.
In today's image there was plenty of room in the original frame to
include the top of the guy's head, the bottom of the bowl, and the belt he was
using to hold his pants up. The
"big deal" is that none of that added to the story telling of the
image.
One of the first "cool" images I made was for a
holiday card to send to the relatives.
It was of our first born, a son.
It wasn't him standing tall (all 2' 6" of him at the time), showing
him from head to foot. It was his
eyes. Just a swath from the bridge of
his nose to the brim of the hat he wore.
It told the complete story.
That was long before Photoshop was ever thought of. But the "theory" is the same today
as it was then. Crop out whatever
doesn't move the "story" of the image along. Today's image never even got to
Photoshop. It was all done in Adobe
Photoshop Lightroom 4 (or it could have been done, just as easily, in the ACR
[Adobe Camera Raw] package that comes with Photoshop or Adobe Photoshop
Elements.
I'm a big believer in ruthless cropping. What more does today's image need to convey
the story? I don't think it needs any
more. Let me know if you think the image
would be enhanced by having additional elements. I'd like to know.
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