I decided to play with some Plug-ins, got half of what I was
looking for, backed out, went to Adobe Photoshop CS6, played with a couple
Alpha Channels , go more of what I was looking for and went round and round to
come up with today's image.
I know, it's a run on sentence, but that's what working this
image was like. Let me take you through
it.
I shot the image yesterday, thought it had something to it,
so I played with it this morning. I
straightened and cropped it to taste in Adobe Photoshop Lightroom 4. Tweaked the Color, the Clarity, the Vibrance
and the Exposure. I thought it might
gain something, so I brought it into Nik's Color Efex Pro 4 (Photo/Edit
in/Color Efex Pro 4). Looked at a couple
presets and combined a couple. There
were three used. One was a detail
enhancer, one said something about an early morning glow and I don't remember
the third. It gave me a little of what I
wanted, but the grassy area and the sky were just too garish for my taste. The barn and fences looked pretty
interesting. So, I clicked the "Do
It" button and fled back to LR4 before I really screwed things up.
Once back in LR4 I highlighted the original and the "Nik'd"
copies and took them into Adobe Photoshop CS6 as Layers (Photo/Edit In/Open As
Layers IN Photoshop). Because they were
based on the same cropped image I didn't have to worry about any
misalignment.
Using the Quick Selection Tool (W) I made Selections of the
barn and silo, and the lower fence. I
then put a Layer Mask on the top Layer.
It happened to be the "Nik'd" Layer, but it really didn't
matter which was the top Layer. It would
have just determined what I wanted the Mask to cover. I filled the Mask with both Selections,
leaving the structures converted and the grass and sky back at their natural
state.
I took out the gold color on the barn sides and fences,
leaving it only on the roof using a Hue/Saturation Adjustment Layer clipped to
the "Nik'd" Layer. From there
it was back to LR4.
I used LR4 (you could just as easily use ACR) to darken the
entire image by two stops using the Adjustment Brush. I then went back and flipped the Brush from
the Apply Mode to the Erase Mode and erased away everything the needed to be
brought back to the exposure. I applied
a controlled vignette this way.
I did take one more trip into PSCS6 and created a New
Layer. With the Brush Tool (B) I used
the Color Picker to get the gold tone from the roof of the barn. I "painted" the "sun
facing" surfaces of the cupolas and silo and then changed the Blend Mode
to Color.
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